
44.1. Persepolis is one of the
ancient capitals of Persia, established by Darius I the Great in the late 6th
century BC. Its ruins
lie 56km northeast of Shiraz. Darius the Great transferred the
capital of the Achaemenid dynasty to Persepolis from
Pasargadae,
where Cyrus the Great, founder of the Persian Empire, had ruled.
Construction of Persepolis began between 518 and 516 BC and continued under
Darius’s successors Xerxes I (Khashayarsha in
Persian) and Artaxerxes I (Ardeshir in Persian) in the 5th century
BC. Known as "Parsé" by
the ancient Persians, it is known today in Iran as "Takht e Jamshid" (="Throne of
Jamshid") after a legendary king. The Greeks
called it Persepolis (="City of the Persians").
At its height the Persian Empire
stretched from Greece and Libya in the west to the Indus River in
present-day Pakistan in the east. The many nations under the
empire’s rule enjoyed considerable autonomy in return for supplying
the empire’s wealth. Each year at New Year’s—still celebrated in
Iran on the first day of spring—representatives from these nations
brought tribute to the king. The Persian kings used Persepolis
primarily as a residence and for ceremonies such as the New Year’s
celebration. The actual business of government was carried out
elsewhere, chiefly at Susa and Ecbatana.
The site of Persepolis consists of the remains of several monumental
buildings on a vast artificial stone terrace about 450 by 300
metres. A double staircase, wide and shallow enough for horses to
climb, led from the plains below to the top of the terrace. At the
head of the staircase, visitors passed through the Gate of Xerxes,
a gatehouse guarded by enormous carved stone bulls.
It is now quite clear from the clay tablets
discovered by Prof GG Cameron of the Chicago University that
the construction work was not done by slaves or forced labours, but
that each worker was paid according to his skill in silver, wine and
meat.
In 330 BC, Alexander III of Macedonia
(known by Europeans as "Alexander the Great") plundered the
city brutally and burned it for the joy of his Athenian concubine
Thais in the course of a drunken revel. He needed 20,000 mules
and 5,000 camels to carry away the treasure looted from Persepolis,
according to Greek biographer Plutarch.
In 316 BC Persepolis was still the capital of
Persia as a province of the Macedonian empire. The city gradually
declined in the Seleucid period and after, its ruins attesting its
ancient glory. In the 3rd century AD the nearby city of Istakhr
became the centre of the Sassanian empire.
Persepolis
was eventually abandoned, and it lay buried beneath ashes and
rubble until its rediscovery in 1620. Although many people
visited Persepolis in the next centuries, excavation of the
ruins did not begin until 1931, under the direction of the
Oriental Institute of the University of Chicago. The outbreak of
World War II in 1939 halted this work. The Iranian
Archaeological Service continued the excavation and restoration
of Persepolis after the war.
Refs:
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Microsoft ® Encarta ® 2007. © 1993-2006 Microsoft Corporation.
-
Encyclopædia Britannica. Encyclopædia Britannica 2007 Ultimate
Reference Suite
|

44.2. A
reconstructed aerial view of Persepolis: 1. The Grand Staircase 2. Porch
of Xerxes or "The Portal of All Nations" 3. Stone water tank 4.
Probably a workshop 5. Formerly the Queen's Rooms, and now a museum 6.
The Main Hall, "Apadana"
Palace 7. "Tachra", The Private Palace of Darius the Great 8. "Hadish",
The Private Palace of Xerxes 9. The Central Palace or The Council
Hall or classically "Tripylon" 10.
The Treasury 11. Throne Hall or the Hall of "Hundred Columns" 12.
An unfinished
palace 13. Persepolis sewer or water supply 14. Royal mausoleums 15.
Guard tower and stone well.
(photo courtesy from "Guide
to Takht e Jamshid" by Mohammad-Hassan Khajeh Abdollahi) |

45. A beautiful double flight of stairs leads to the top of the stone
platform of Persepolis. There are 69 steps in each flight leading to the
first landings and a further 42 steps each about 37.5cm deep, 7m wide,
and only 10cm high take the visitor to the area right in front of
gigantic Porch and Entrance Hall of Xerxes. |

46. The great platform of Persepolis and The All Nations Gate can be
seen in this shot. Almost 450 metres of ground was levelled from north
to south and about 300 metres from east to west. The huge terrace with a
total area of 135,000 square metres was constructed as a base on which
to build the palaces of Darius the Great. In some places it is
about 18 metres high and everything necessary was provided for a solid
base for future buildings. Water courses were cut in the foundation of
the platform and a drainage system was provided. |

47. Directly opposite the top of the Grand Staircase is the Entrance
Hall and the Porch of Xerxes, guarded at each entrance, to the
west and to the east by bas-reliefs of colossal winged bulls. These
winged bulls stand on pedestals about 1.5m above the level of the
platform and reach a height of about 4.5m. |

48. Two remaining fluted columns of four supported the roof of the
Entrance Hall, which covered 625 squared metres. |
"Whatever work seems
beautiful, we did it all by the grace of God."
- From a cuneiform inscription by Xerxes carved
on the All Nations Gate. |
|

49. The eastern doorway of the All Nations Gate |

50. An impressive 150-ton square water tank hewn out of a single block of stone
for ornamental purposes in which a fountain probably played can
be seen in front of Apadana. |

51. A capital in the form of a double-headed "Homa", Persian mythical
bird and the symbol of welfare. |

52. A capital in the form of a double-headed bull. |

53. The way to the Throne Hall (Hall of Hundred Columns) |

54. The way to the Throne Hall (Hall of Hundred Columns) |

55. The relief of northern doorway of the Throne Hall represent
Xerxes on his throne supported by Median and Persian spearmen. |

56. One of the gates to the Throne Hall |

57. Median and Persian spearmen of Persepolis. The men wear trousers are
Median and the ones wear that clothes with long sleeves are Persian. |
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58, 59 & 60. The largest of all the buildings on the Persepolis platform
is the magnificent Throne Hall or "Hall of Hundred Columns", the audience hall of
the kings. In addition to the great hall itself, the main hall 70x70
metres has, as the name suggests, one hundred columns in rows of ten in
each direction. It is estimated that each column was 12 metres high but
unfortunately no one is now left standing. In this huge ruin, the
friezes of the great king on the doorways fighting evil sprits, the
winged symbol Faravahar (the pre-existing external higher soul or
essence of a person in Zoroastrianism), the broken columns and walls,
combine to create a nostalgic scene. |
61. Tomb of Artaxerxes (Ardeshir in Persian) II
(404–359/358 BC) surnamed (in Greek) Mnemon, meaning "the
mindful" or III (359/358–338 BC) on the slope of the Mountain of
Mercy (Kooh e Rahmat). |

62. The southern doorway relief of the 100 Columns Hall represent
Xerxes on his throne supported by 28 subject nations. |

63. The upper part of the doorway mentioned in fig 62. |
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64 & 65. The southern view of 100 Columns Hall. |

66.1. Stone statue of a dog found in Persepolis. |

66.2. A beautiful more intact statue of a dog in black stone found in
Persepolis upkeep now in Tehran Museum (photo courtesy). |

67. Very beautiful mortars of jade found in the treasury of Persepolis. |
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68 & 69. Beautiful plates of stone in the Museum of Persepolis.
Everything in this Museum is dated to about 2500
years ago. |
70. A lion toe in stone |
71. Stone jugs probably of marble |

72. Stone tray |

73. Stone tumbler |

74. Beautiful black stone dish |
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75 & 76. Golden decorative bits |
77. Bronze trumpet |
78. Ancient hatchets |

79. Bronze statue of a bird |

80. Bronze statue of a woman, probably an Egyptian present |

81. Ancient crocks found in Persepolis |

82. Achaemenian style window |
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83 & 84. Other shots of the southern view of the 100 Columns Hall
and royal mausoleums |
85. The way to Three-Gates Palace: The king sits on his throne supported
by 28 subject nations and his crown prince stands behind him taking
a lotus in his hand. |
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86, 87 & 88. Attendants carrying foods to the palace |
89. The "King of Kings" and his attendants |
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90. An ancient window |
91. The most ancient sewer system in the world: Surplus water from the
roofs of buildings, and sewage was carried away through a series of
channels one of them shown in this shot. |
92 & 93. I can't remember if here is "Tachra" or "Hadish", so I describe
both of them: It was the custom of the Achaemenian monarchs to move from
Ecbatana in the highlands of Media to Persepolis in the early season of
the year. There the kings passed a few weeks of uncrowded holyday in
their private palaces, the Hadish or the Tachra, before celebrating the
Persian New Year
ceremonies began on 21 March (22 March on leap years). Darius,
Xerxes and Artaxerxes had their separate palaces on the
south-western quarter of the Persepolis platform. The "Hadish"
(literally a "dwelling place") and the "Tachra" are the names given to
the private palace of Xerxes and Darius the Great,
respectively. |

94. Just another shot there |

95. I'm not sure, but it may be the tomb of Darius III, the last
Achaemenid king of Persia. |

96. One of the palaces in Persepolis |

98. The lion-bull decorative motif can be seen in many forms and many
places in Persepolis. There are different ideas by scholars about
the philosophy of the motif, according to one of them the bull is a symbol of
winter and the lion a symbol of spring. So, attacking the bull by the
lion means the finishing of winter and the beginning of spring, the new
life of nature and therefore the
Iranian New Year's
Day. |

97. Just another shot there |

99. The "Faravahar" or "Fravashi" motif: in Zoroastrianism, the
pre-existing external
higher soul or essence of a person (according to some sources, also
of gods and angels). Associated with Ahura Mazda, the supreme
divinity, since the first creation, they participate in his nature
of pure light and inexhaustible bounty. By free choice they descend
into the world to suffer and combat the forces of evil, knowing
their inevitable resurrection at the final glory. Each individual's fravashi, distinct from his incarnate soul, subtly guides him
in life toward the realization of his higher nature. The saved soul
is united after death with its fravashi. Cosmically, the
fravashis are divided into three groups—the living, the dead,
and the yet unborn. They are the force upon which Ahura Mazda
depends to maintain the cosmos against the demon host. Protecting
the empyrean (sacred fire), they keep darkness imprisoned in the
world. In the popular
religion, the fravashis of the righteous dead and of ancestors
are invoked for protection. In the Parsi festival Fravartigan, the last
10 days of each year, each family honours the fravashis of its
dead with prayers, fire, and incense.
Ref: Encyclopædia Britannica from Encyclopædia Britannica 2007
Ultimate Reference Suite |

100. Persian guardians |

101. A capital in the form of a bearded human head and winged bull trunk |

102. Another shot of the capital shown in fig 99. |

103. Persian elites negotiating sincerely while going to the central
palace. |

104. Stairs of the Central Palace |

105. Elites of ancient Persia chatting happily and sincerely while going
to visit the great king. |

106. Another lion-bull motif mentioned in the caption of fig 97. |

107. Again Iranian elite audiences |

108. Persian and Median guards |
The shots below were taken from the grand staircase
of Apadana Palace, one of the most impressive and spectacular sights in
Persia, a silent witness of glory of Ancient Persia and splendour a
masterly sculpture, a record book of the ancient world.
The largest building at Persepolis, the Apadana (audience hall),
stood to the right of the gatehouse. Archaeologists estimate that it
could accommodate 10,000 people. Massive stone columns supported the
Apadana’s roof; 36 were interior columns and another 36 supported
verandas on three sides of the building. Thirteen of these 72
columns remain standing today. Each column rose nearly 20m high and
had vertical channels called fluting carved into it to emphasize
this height. At the top of the columns were capitals elaborately
decorated with plant forms, scrolls, and double-headed animals. The
animals supported wooden roof beams on their backs. Traces of paint
found on column bases and other remains suggest that the room was
originally brightly coloured.
Monumental staircases decorated with elaborate sculpture in
relief (raised) led to the Apadana, which stood on an elevated
platform. The relief sculpture depicts the ceremonial procession
that took place when representatives from the conquered nations
brought gifts to the king. The procession is led by Persians and
Medians, the peoples whom Cyrus the Great
united to found the Persian Empire. After them come delegates
(as shown below) bearing gifts. Because
the east staircase lay buried beneath ashes and rubble for
centuries, its delicately carved relief sculptures remain in
excellent condition today.
Ref: Microsoft ® Encarta ® 2007. © 1993-2006 Microsoft
Corporation. All rights reserved. |

109. Scythians of Haumavaka of the east
(Samarkand) bringing a dagger, bracelets, axes and a horse. |

110.
Assyrians with a bison, shield and spears.
|

111. Pointed-Capped
Scythians, or Thracians, offering a horse, gold
bracelets, cloths and trousers. |

112. Ionians of of Anatolia bringing vessels, tanned skins, clothes and
two rams. |

113. Babylonians offering vessels full of gold and silver, cloths and a
bison. |
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114 & 115. Phoenicians bringing gold flower vases, vessels, armlets and
a chariot. |

116. Cappadocians bringing a
horse and articles of clothing. |

117.
Armenians bringing a horse and a vase. |

118. Lydians from Sardis, bringing vessels of valuables and bolts of
cloth |

119. Stairs of the Central Palace and Apadana in the back and the front,
respectively. |

120. The grand staircase of Apadana |

121. Stairs of the Central Palace |

122. A Persian elite guides the delegate of Assyrians |
|

123. Delegates of Ionians |

127. Cappadocian delegates. I love their clothes very much and believe
they have been very stylish in the ancient world. |

124. Delegates of Pointed-Capped
Scythians |

125. Another Persian elite guides the delegate of Cappadocians |

126. A double-headed lion capital found in Apadana. |

128. Another shot of the double-headed lion capital |

129. Walking in the Apadana Palace |

130. The ruins of Persepolis |

131. A member of "Ten Thousand Immortals" |

132. "Ten Thousand Immortals", the special army of Ancient Iran: In
Persian history, core troops in the Achaemenian army, so named because
their number of 10,000 was immediately re-established after every loss.
Under the direct leadership of the "hazarapat", or commander in
chief, the Immortals, who formed the king's personal bodyguard,
consisted primarily of Persians but also included Medians and Elamites.
They apparently had special privileges, such as being allowed to take
concubines and servants along with them on the march. On coloured glazed
bricks and carved reliefs found at the Achaemenian capitals, such as the
Palace of Artaxerxes at Susa, the Immortals are often represented
standing stiffly at attention, each soldier's wooden spear with its
silver blade and pomegranate insignia held upright and resting firmly on
his toe. They wore elaborate robes and much gold jewellery. An elite
1,000 of the Immortals were further distinguished by having gold
pomegranates on their spears.
Ref: Encyclopædia Britannica from Encyclopædia Britannica 2007
Ultimate Reference Suite |

133. Persian and Median officers or elites behind the Immortal Guards. |

134. The grand stairs of Apadana |

135. Somewhere to relax for tourists! |

136. Sunset in Persepolis |

138. Sunset in Persepolis |

137. Apadana |

139. A native walking near Persepolis. Isn't his felt hat familiar? Yes,
it's that Median hat you saw in the above shots. It's still useable
after more than 2500 years! |

140. Tourists leaving Persepolis in sunset |